Yasuke in Shadows: A Fresh Twist on Assassin’s Creed Gameplay

Thanks to a renewed focus on the core concepts that the series was originally built upon, Assassin’s Creed Shadows delivers the most satisfying experience the franchise has seen in years. The game's parkour system, reminiscent of the fluidity seen in Unity, allows you to seamlessly transition from the ground to castle rooftops. The addition of a grappling hook further enhances your ability to reach strategic vantage points swiftly. Perched on a tightrope high above your enemies, you're just a drop away from executing the perfect kill—as long as you're playing as Naoe, the game's agile shinobi protagonist. However, switch to Yasuke, the second protagonist, and you're in for a completely different gameplay experience.

Yasuke is slow, clumsy, and incapable of silent kills. His climbing abilities are so limited that they resemble those of a cautious grandparent. He stands in stark contrast to the typical Assassin’s Creed protagonist, making him one of Ubisoft’s most intriguing yet perplexing design choices. Playing as Yasuke feels like stepping away from the traditional Assassin’s Creed experience.

Initially, the significant difference between Yasuke’s capabilities and the series' core philosophy was frustrating. What's the purpose of an Assassin’s Creed protagonist who struggles to climb and can't perform silent takedowns? However, the more I played as him, the more I appreciated the unique perspective he brings to the game. Yasuke's design, though flawed, addresses some critical issues that the series has faced in recent years.

You don't get to play as Yasuke until several hours into the campaign, after spending your initial time with Naoe, who embodies the assassin archetype perfectly. Transitioning to Yasuke after mastering Naoe's swift movements is jarring. This towering samurai is too large and noisy to sneak through enemy camps effectively and can barely climb anything higher than his own head. His inability to find handholds on rooftops and his slow, precarious balancing act on the apex of roofs introduce a sense of friction. Climbing becomes a laborious task, often requiring the use of scaffolding and ladders to make any significant progress.

While this doesn't force Yasuke to stay at ground level, it certainly encourages it. This limitation denies him the ability to gain a high vantage point, making it difficult to map out threats and plan strategically. Unlike Naoe, who can rely on Eagle Vision, Yasuke has no such advantage. Choosing to play as him means sacrificing almost everything except raw strength.

Assassin's Creed has always been about stealthy kills and vertical exploration, concepts that Yasuke directly opposes. Playing as him feels more akin to Ghost of Tsushima than Assassin’s Creed, especially given his lack of stealth training and reliance on samurai sword skills. Yasuke's gameplay is centered around fierce combat, a feature that Tsushima is celebrated for and Assassin’s Creed often criticized for.

Playing as Yasuke challenges you to rethink how to approach Assassin’s Creed. Historically, the series has allowed players to climb anywhere effortlessly, akin to Spider-Man with a knife. Yasuke changes this dynamic. Although many areas are beyond his reach, careful observation of the environment reveals hidden pathways designed specifically for him. For example, a leaning tree trunk can lead to a sync point otherwise inaccessible without a grappling hook, or a castle's open window on the second floor can be reached via a staircase-like arrangement on the courtyard's exterior wall. These paths are more engaging to discover than the mindless climbing of past games.

However, these pathways only take Yasuke where he needs to go, limiting his freedom for general exploration and making it challenging to gain the high ground to observe enemy patrols. Yasuke doesn't follow the traditional Assassin’s Creed approach of planning and stealth. His only stealth ability, the "Brutal Assassination" skill, is anything but subtle, involving impaling an enemy on his sword, lifting them off the ground, and yelling. It's more of an opening move for combat than a stealth takedown. Yet, when combat ensues, it's exhilarating. Shadows features the best swordplay the series has seen in over a decade, with purposeful strikes and a variety of techniques, from brutal rush attacks to satisfying ripostes. Finishing moves are graphically intense, creating a stark contrast to Naoe's stealthy approach.

The separation of combat and stealth into two distinct characters prevents the blending of styles seen in previous games like Origins, Odyssey, and Valhalla, where direct conflict often dominated. In Shadows, Naoe's fragility means she can't engage in prolonged combat, forcing players to flee, reposition, and reset the stealth loop. Yasuke, on the other hand, offers a break from this tension with his combat prowess, making him a thrilling choice in battle, especially as his skill tree unlocks over time.

Yasuke's design is intentional, but it's challenging to reconcile with the core tenets of Assassin’s Creed—stealthy kills and vertical exploration. While characters like Bayek and Eivor ventured too far into action territory, they still retained the fundamental abilities of an Assassin’s Creed protagonist. Yasuke, as a samurai, is thematically appropriate in his lack of stealth and climbing skills, but this means you can't play Assassin’s Creed in the traditional sense when controlling him.

The real challenge for Yasuke is his counterpart, Naoe. Mechanically, she is the best Assassin’s Creed protagonist in years. Her stealth toolkit, combined with the verticality of Sengoku Period Japan, allows for an experience that truly embodies the essence of Assassin’s Creed: becoming a highly mobile silent killer. Naoe also benefits from the design changes that shape Yasuke; while she can climb almost anywhere, the series' "stick to every surface" approach has been replaced with something more realistic. This requires players to assess climbing routes and find anchor points for the grappling hook, yet it allows for greater leaps and faster climbing, turning the open world into an Assassin’s Creed sandbox. On the ground, Naoe's combat is just as impactful as Yasuke's, though she can't endure as long in battle. This raises the question: why play as Yasuke when Naoe offers a more complete Assassin’s Creed experience?

Ubisoft's intent to offer two distinct playstyles with Yasuke and Naoe is admirable, yet it creates a double-edged sword. Yasuke's gameplay, while contrasting and compelling, directly opposes the foundational ideas of Assassin’s Creed. While I'll always return to Yasuke for the thrill of his combat, it's through Naoe that I'll truly explore Shadows' world. Because when I play as Naoe, I feel like I'm playing Assassin’s Creed.